TRINE MØLLER SOPRANO
E V E N T S
S E P
2023
September 16th to October 7th
Theater Basel
Basel, Switzerland
WAGNER: DIE WALKüRE
Trine Møller sings Brünnhilde in Theater Basel's new ring cycle, starting with Die Walküre
N E W S
15th of December 2022 - Trine Møller will take on the role of Brünnhilde in the new complete Ring Cycle at Theater Basel, Switzerland, in the seasons '23-'25.
12th of June 2022 - Trine Møller wins 'Singer of the Year' at the Reumert Awards for her role debut as Brünnhilde in Wagner's Die Walküre at the Copenhagen Royal Opera.
F E A T U R E D R E V I E W S
Turandot, Theater Magdeburg, December 2022
'Trine Møller ist als Turandot eine mitreissende, ausdrucksstarke und furiose Titelheldin. Gesanglich liefert sie die notwendige Dramatik, feuert mit unermüdlicher Kraft Spitzentöne ab und meistert die Höhen wie die Mittellage.'
Dominik Lapp, Kulturfeder.
Siegfried, Den Ny Opera, Esbjerg, August 2022
'Trine Bastrup Møller did it no less than radiantly. Firstly, authoritative in the identification with Brünnhilde's inner opposites, secondly, more and more dazzling in the vocal movements from the hesitant, reflective, joyous, to the untamed intoxication.'
Valdemar Lønsted, Information 25th of August.
Die Walküre, Copenhagen Opera House 2022
'Trine Møller's Brünnhilde literally knocked me off my chair: what a wonderful voice, I've rarely heard the Hojotoho calls so fresh, effortless and pure. Poignant in the Todesverkündigung, aggressively attacking in standing up for the siblings, evoking compassion in her acceptance of the punishment given by the father of the Gods. World class!'
Kaspar Sannemann, Oper-aktuell.info
‘Valkyrie seizes the day.
As Brünnhilde the Royal Opera surprisingly has given Danish Trine Møller the chance. And she takes advantage of that opportunity to a very high degree. Insanely intense was her act.’
Thomas Michelsen, Politiken, 7th of March.
Turandot, Immling Festival 2019:
''For once, cast in the title role is not a heavyweight Wagner heroine on summer vacation, but rather, Trine Møller commands a lyric dramatic soprano which carries well and without any harshness floats effortlessly into the heights. Instead of ending up as a decibel duel the riddle scene thus turned into an unusually nuanced combat between the man-hating princess and the death bent nameless foreigner wooing her.’'
Tobias Hell, OVB Heimatzeitungen, July 15th 2019
''...die schwer zu besetzende Titelpartie der Turandot wird von der Dänin Trine Möller nicht nur mit raumfüllenden Spitzentönen, sondern auch mit Seele und Stimmschönheit verkörpert.''
Franziska Stürz, BR Klassik, June 26th, 2019