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TRINE MØLLER SOPRANO

E V E N T S​

J A N

2024

January  27th to April 12th

Theater Lübeck

Germany

RICHARD STRAUSS: ELEKTRA

Trine Møller makes her rôle debut as Elektra in a new production directed by Brigitte Fassbaender.

N E W S

13th of December 2023 - Trine Møller receives a scholarship from Else Frederiksen's Foundation.

15th of December 2022 - Trine Møller will take on the role of Brünnhilde in the new complete Ring Cycle at Theater Basel, Switzerland, in the seasons '23-'25.

12th of June 2022 - Trine Møller wins 'Singer of the Year' at the Reumert Awards for her role debut as Brünnhilde in Wagner's Die Walküre at the Copenhagen Royal Opera.

F E A T U R E D   R E V I E W S

J U N

2024

June  9th, 18th and 23rd

Theater Basel

Basel, Switzerland

WAGNER: DIE WALKüRE

Trine Møller sings Brünnhilde in a revival of Die Walküre , part of Theater Basel's new ring cycle. 

Die Walküre, Theater Basel, Sep 2023

 

'‘Trine Moller (…) legt mit ihren grossartigen Hojotohos die musikalische Messlatte bereits zu Beginn des zweiten Aktes sehr hoch. Auch ihre Stimme ist jugendlich timbriert. Sie gestaltet eine leidenschaftliche Brünnhilde, welche sowohl die kraftvoll lauten als auch die tragisch-sensiblen stillen Passagen mit Leben füllt und so das Publikum in ihren Bann zieht.’

Michael Hug, Onlinemerker.com

'Trine Møller als Brünnhilde verfügt über eine strahlende Stimme und bot ein berührendes Rollenportrait.'

Opernmagazin.de

Nabucco, Immling Festival, Germany, July 2023

'Trine Møller offers a brilliant interpretation of her role as Abigaille at the Immlinger Festival.’ 

 

’Above all, the clashes between Nabucco and his daughter Abigaille, who is eyeing the throne, tremble with tension. The Danish soprano Trine Møller, who recently shone in Immling as Puccini's Turandot, once again delivers an absolutely brilliant performance in this dreaded part that leaves nothing to be desired: with glistening metallic top tones that effortlessly outshine any ensemble. But also with a warm middle register, which comes into play in the touching self-confession in front of her reflection in the mirror, where Verdi's roots in bel canto become audible.’

Tobias Hell, Oberbayerisches Volksblatt, Jul 23.

Turandot, Theater Magdeburg, December 2022

'Trine Møller ist als Turandot eine mitreissende, ausdrucksstarke und furiose Titelheldin. Gesanglich liefert sie die notwendige Dramatik, feuert mit unermüdlicher Kraft Spitzentöne ab und meistert die Höhen wie die Mittellage.'

Dominik Lapp, Kulturfeder.

Siegfried, Den Ny Opera, Esbjerg, August 2022

'Trine Bastrup Møller did it no less than radiantly. Firstly, authoritative in the identification with Brünnhilde's inner opposites, secondly, more and more dazzling in the vocal movements from the hesitant, reflective, joyous, to the untamed intoxication.'

Valdemar Lønsted, Information 25th of August.

Die Walküre, Copenhagen Opera House 2022

 

'Trine Møller's Brünnhilde literally knocked me off my chair: what a wonderful voice, I've rarely heard the Hojotoho calls so fresh, effortless and pure. Poignant in the Todesverkündigung, aggressively attacking in standing up for the siblings, evoking compassion in her acceptance of the punishment given by the father of the Gods. World class!'

Kaspar Sannemann, Oper-aktuell.info

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